Evil has always lived in the open here, in the land of the free. For one to properly discuss even the bare essentials of Get Out, Jordan Peele’s social thriller about a white and seemingly liberal family that, secretly and for generations, has lobotomized black people, one must make peace with an obvious truth: white evil has always been a characteristic of American life, from the earliest days of colonization, when the blood of slaves first dampened U.S.
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